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		<title>Slate Articles</title>
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			<title>Romances for the Post-Bubble Homeowner</title>
			<link>http://feeds.slate.com/click.phdo?i=76a51f96f0a77eaa4af781b24c203bb6</link>
			<pheedo:origLink>http://www.slate.com/articles/arts/culturebox/2012/02/the_bronson_pinchot_project_and_other_hgtv_diy_network_home_renovation_shows_.html</pheedo:origLink>
			<description>&lt;p&gt;&lt;em&gt;&lt;strong&gt;Also in Slate, read an &lt;a href="http://www.slate.com/articles/arts/interrogation/2012/02/the_bronson_pinchot_project_interview_with_bronson_pinchot.html"&gt;interview with Bronson Pinchot&lt;/a&gt;.&lt;/strong&gt;&lt;/em&gt;&lt;/p&gt;&lt;br clear=&quot;both&quot; style=&quot;clear: both;&quot;/&gt;
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			<pubDate>Thu, 09 Feb 2012 19:08:20 GMT</pubDate>
			<guid isPermaLink="false">http://www.slate.com/articles/arts/culturebox/2012/02/the_bronson_pinchot_project_and_other_hgtv_diy_network_home_renovation_shows_.html</guid>
			<dc:creator>June Thomas</dc:creator>
			<dc:date>2012-02-09T19:08:20Z</dc:date>
			<slate:dek>Why are home-renovation TV shows so seductive?</slate:dek>
			<slate:rubric>Culturebox</slate:rubric>
			<slate:section>Arts</slate:section>
			<slate:menuline>Home-Renovation TV in the Post-Bubble Era</slate:menuline>
			<slate:id>100120209013</slate:id>
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					<media:credit role="producer" scheme="urn:ebu">©HGTV.</media:credit>
					<media:description>Still from 
&lt;em&gt;Candice Tells All&lt;/em&gt;, starring Candice Olson.</media:description>
					<media:thumbnail url="http://www.slate.com/content/dam/slate/articles/arts/culturebox/2012/02/120209_CB_CandiceTellsAll.jpg.CROP.thumbnail-small.jpg"/>
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			<title>Marvel Comics’ Troubling Origins Story</title>
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			<pheedo:origLink>http://www.slate.com/articles/arts/culturebox/2012/02/the_avengers_why_i_m_boycotting_marvel_s_movie.html</pheedo:origLink>
			<description>&lt;p&gt;Growing up in the 1970s and early ’80s, I obsessively read and collected Marvel comics. I knew each hero’s origin story, rogue’s gallery, and costume details. I took pride in my knowledge of minor superheroes like Stingray, Jack of Hearts, and the Paladin, characters who didn’t have their own comics but who bounced around in the pages of more established titles. If they ever got their own comic book, I’d be able to say I knew them when.&lt;/p&gt;&lt;br clear=&quot;both&quot; style=&quot;clear: both;&quot;/&gt;
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			<pubDate>Tue, 07 Feb 2012 11:45:00 GMT</pubDate>
			<guid isPermaLink="false">http://www.slate.com/articles/arts/culturebox/2012/02/the_avengers_why_i_m_boycotting_marvel_s_movie.html</guid>
			<dc:creator>James Sturm</dc:creator>
			<dc:date>2012-02-07T11:45:00Z</dc:date>
			<slate:dek>Why I’m boycotting 
&lt;em&gt;The Avengers&lt;/em&gt;.</slate:dek>
			<slate:rubric>Culturebox</slate:rubric>
			<slate:section>Arts</slate:section>
			<slate:menuline>Why I’m Boycotting 
&lt;em&gt;The Avengers&lt;/em&gt;</slate:menuline>
			<slate:id>100120207002</slate:id>
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		<item>
			<title>No Est&amp;aacute; Mal</title>
			<link>http://feeds.slate.com/click.phdo?i=dd5bdecdb26130e3f4cb45ddb6c8e11d</link>
			<pheedo:origLink>http://www.slate.com/articles/arts/culturebox/2012/02/rob_schneider_s_tv_show_and_latino_actors_.html</pheedo:origLink>
			<description>&lt;p&gt;When CBS launched &lt;em&gt;Rob&lt;/em&gt;, a new Rob Schneider sitcom about a clueless gringo who marries into a Mexican-American family, in January, the critical response was scathingly unfavorable. The &lt;em&gt;Denver Post&lt;/em&gt;’s TV critic called it “&lt;a href="http://www.denverpost.com/breakingnews/ci_19728018"&gt;genuinely offensive&lt;/a&gt;”; the &lt;em&gt;New York Times&lt;/em&gt; said “&lt;a href="http://tv.nytimes.com/2012/01/12/arts/television/rob-schneiders-new-sitcom-rob-on-cbs-review.html"&gt;the entire show is predicated on cheap ethnic humor&lt;/a&gt;”; and &lt;em&gt;TV Guide&lt;/em&gt;’s Matt Roush declared Rob’s new family to be “&lt;a href="http://www.tvguide.com/News/Thursday-TV-Review-1041555.aspx"&gt;a sprawling brood of shockingly stereotypical clich&amp;eacute;s&lt;/a&gt;.”&lt;/p&gt;&lt;br clear=&quot;both&quot; style=&quot;clear: both;&quot;/&gt;
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			<pubDate>Thu, 02 Feb 2012 19:41:04 GMT</pubDate>
			<guid isPermaLink="false">http://www.slate.com/articles/arts/culturebox/2012/02/rob_schneider_s_tv_show_and_latino_actors_.html</guid>
			<dc:creator>June Thomas</dc:creator>
			<dc:date>2012-02-02T19:41:04Z</dc:date>
			<slate:dek>You might be surprised what CBS’s 
&lt;em&gt;Rob&lt;/em&gt; suggests about the environment for Latinos on TV.</slate:dek>
			<slate:rubric>Culturebox</slate:rubric>
			<slate:section>Arts</slate:section>
			<slate:menuline>CBS’s 
&lt;em&gt;Rob&lt;/em&gt; and the Improving Environment for Latinos on TV</slate:menuline>
			<slate:id>100120202008</slate:id>
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					<media:credit role="producer" scheme="urn:ebu">© CBS</media:credit>
					<media:description>Rob Schneider and Claudia Bassols in 
&lt;em&gt;Rob&lt;/em&gt;</media:description>
					<media:thumbnail url="http://www.slate.com/content/dam/slate/articles/news_and_politics/culturebox/2012/02/120201_CULTUREBOX_robShow.jpg.CROP.thumbnail-small.jpg"/>
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			<title><![CDATA[Advertisement:]]></title>
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			<pubDate>Thu, 02 Feb 2012 19:41:04 GMT</pubDate>
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			<title>Can Asians Save Classical Music?</title>
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			<pheedo:origLink>http://www.slate.com/articles/arts/culturebox/2012/02/can_asians_save_classical_music_.html</pheedo:origLink>
			<description>&lt;p&gt;What do symphony orchestras and cigarette companies have in common? It’s the age problem. How do you stay in business when your customers keep dying?&lt;/p&gt;&lt;br clear=&quot;both&quot; style=&quot;clear: both;&quot;/&gt;
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			<pubDate>Thu, 02 Feb 2012 12:00:00 GMT</pubDate>
			<guid isPermaLink="false">http://www.slate.com/articles/arts/culturebox/2012/02/can_asians_save_classical_music_.html</guid>
			<dc:creator>Michael Ahn Paarlberg</dc:creator>
			<dc:date>2012-02-02T12:00:00Z</dc:date>
			<slate:dek>Orchestras (and audiences) get more Asian-American every year. Will it be enough?</slate:dek>
			<slate:rubric>Culturebox</slate:rubric>
			<slate:section>Arts</slate:section>
			<slate:menuline>Can Asians Save Classical Music?</slate:menuline>
			<slate:id>100120202003</slate:id>
			<media:group>
				<media:content url="http://www.slate.com/content/dam/slate/articles/news_and_politics/culturebox/2012/01/120131_CULTUREBOX_nyPhilharmonic.jpg.CROP.rectangle-large.jpg">
					<media:credit role="producer" scheme="urn:ebu">Photograph by Neilson Barnard/Getty Images for the Swatch Group</media:credit>
					<media:description>Alan Gilbert, son of Japanese and American violinists, conducts the New York Philharmonic.</media:description>
					<media:thumbnail url="http://www.slate.com/content/dam/slate/articles/news_and_politics/culturebox/2012/01/120131_CULTUREBOX_nyPhilharmonic.jpg.CROP.thumbnail-small.jpg"/>
				</media:content>
			</media:group>
		</item>
		<item>
			<title>The Shortz Factor</title>
			<link>http://feeds.slate.com/click.phdo?i=da3ed12094801c8f80aece2792c42470</link>
			<pheedo:origLink>http://www.slate.com/articles/arts/culturebox/2012/01/etta_james_esai_morales_and_erle_stanley_gardner_introducing_a_new_measure_of_crossword_fame.html</pheedo:origLink>
			<description>&lt;p&gt;Etta James died recently. To most people that meant the loss of a &lt;a href="http://www.amazon.com/gp/product/B000BYR9ZY/ref=as_li_ss_tl?ie=UTF8&amp;amp;tag=slatmaga-20&amp;amp;linkCode=as2&amp;amp;camp=1789&amp;amp;creative=390957&amp;amp;creativeASIN=B000BYR9ZY"&gt;blues legend&lt;/a&gt;, but for crossword puzzle writers like myself, it meant something quite different. Etta James was famous in real life, but she's also “crossword-famous”—a woman whose handy, four-letter first name has gotten us out of many tough corners and spared us countless painful rewrites.&lt;/p&gt;&lt;br clear=&quot;both&quot; style=&quot;clear: both;&quot;/&gt;
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			<pubDate>Fri, 27 Jan 2012 19:50:28 GMT</pubDate>
			<guid isPermaLink="false">http://www.slate.com/articles/arts/culturebox/2012/01/etta_james_esai_morales_and_erle_stanley_gardner_introducing_a_new_measure_of_crossword_fame.html</guid>
			<dc:creator>Matt Gaffney</dc:creator>
			<dc:date>2012-01-27T19:50:28Z</dc:date>
			<slate:dek>Introducing a new measure of crossword-related fame.</slate:dek>
			<slate:rubric>Culturebox</slate:rubric>
			<slate:section>Arts</slate:section>
			<slate:menuline>Who's the Most &amp;quot;Crossword-Famous&amp;quot; Person in the World?</slate:menuline>
			<slate:id>100120127009</slate:id>
			<media:group>
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				</media:content>
			</media:group>
		</item>
		<item>
			<title>Love in Three Photos: Submit Your Photo Haiku</title>
			<link>http://feeds.slate.com/click.phdo?i=64554f60589a9e4d711059e21ffdeca7</link>
			<pheedo:origLink>http://www.slate.com/articles/arts/culturebox/2012/01/love_in_three_photos_tell_us_your_story_for_valentine_s_day.html</pheedo:origLink>
			<description>&lt;p&gt;&lt;strong&gt;The challenge:&lt;/strong&gt; &lt;strong&gt;&lt;em&gt;Slate&lt;/em&gt; &lt;/strong&gt;wants you to submit a love story in three photos. The photos must tell a story, as in beginning, middle, end or beginning, what you thought was the end before another beginning. We want stories of love, lust, heartbreak, makeups, breakups, and surprises. The three photos can span decades or just a few weeks. Captions for each photo should be one to two sentences. Shorter is better. Think of this as a photo haiku.&lt;/p&gt;&lt;br clear=&quot;both&quot; style=&quot;clear: both;&quot;/&gt;
&lt;br clear=&quot;both&quot; style=&quot;clear: both;&quot;/&gt;
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&lt;a href=&quot;http://ads.pheedo.com/click.phdo?s=64554f60589a9e4d711059e21ffdeca7&amp;p=1&quot;&gt;&lt;img alt=&quot;&quot; style=&quot;border: 0;&quot; border=&quot;0&quot; src=&quot;http://ads.pheedo.com/img.phdo?s=64554f60589a9e4d711059e21ffdeca7&amp;p=1&quot;/&gt;&lt;/a&gt;
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			<pubDate>Tue, 24 Jan 2012 20:05:58 GMT</pubDate>
			<guid isPermaLink="false">http://www.slate.com/articles/arts/culturebox/2012/01/love_in_three_photos_tell_us_your_story_for_valentine_s_day.html</guid>
			<dc:creator>Heather Murphy</dc:creator>
			<dc:date>2012-01-24T20:05:58Z</dc:date>
			<slate:dek>&lt;strong&gt;&lt;em&gt;Slate&lt;/em&gt;&lt;/strong&gt; wants your moving tales of love, lust, or heartbreak.</slate:dek>
			<slate:rubric>Culturebox</slate:rubric>
			<slate:section>Arts</slate:section>
			<slate:menuline>Send Us Three Photos That Tell a Love Story</slate:menuline>
			<slate:id>100120124012</slate:id>
			<media:group>
				<media:content url="http://www.slate.com/content/dam/slate/articles/arts/culturebox/2012/02/lovein3photosreplacement/love3photopromo.jpg.CROP.rectangle-large.jpg">
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				</media:content>
			</media:group>
		</item>
		<item>
			<title>He Wrote the Book on Raylan Givens</title>
			<link>http://feeds.slate.com/click.phdo?i=b7e152328379f45466c7c97eb674eadb</link>
			<pheedo:origLink>http://www.slate.com/articles/arts/culturebox/2012/01/elmore_leonard_s_raylan_justified_fan_fiction.html</pheedo:origLink>
			<description>&lt;p&gt;How good is FX’s &lt;em&gt;Justified&lt;/em&gt;, returning for its third season tonight? Some TV series inspire conventions, &lt;a href="http://www.cosplayhouse.com/what-is-cosplay.html"&gt;cosplay&lt;/a&gt;, and speculative fiction from their fans. &lt;em&gt;Justified&lt;/em&gt; may be the first show to inspire fanfic from its creator. Elmore Leonard &lt;a href="http://www.elmoreleonard.com/index.php?/weblog/more/the_three_raylan_givens_books"&gt;introduced U.S. Marshal Raylan Givens in the novel &lt;em&gt;Pronto&lt;/em&gt;&lt;/a&gt;, but hadn’t revisited the character since “&lt;a href="http://www.amazon.com/gp/product/0062120344/ref=as_li_ss_tl?ie=UTF8&amp;amp;tag=slatmaga-20&amp;amp;linkCode=as2&amp;amp;camp=1789&amp;amp;creative=390957&amp;amp;creativeASIN=0062120344"&gt;Fire in the Hole&lt;/a&gt;,” the 2001 novella which became the basis for &lt;em&gt;Justified&lt;/em&gt;. The show&lt;em&gt; &lt;/em&gt;reignited his interest, and Leonard’s new novel &lt;em&gt;Raylan&lt;/em&gt;—so inextricable from &lt;em&gt;Justified&lt;/em&gt; that the &lt;a href="http://www.amazon.com/gp/product/006211946X/ref=as_li_ss_tl?ie=UTF8&amp;amp;tag=slatmaga-20&amp;amp;linkCode=as2&amp;amp;camp=1789&amp;amp;creative=390957&amp;amp;creativeASIN=006211946X"&gt;cover image is of actor Timothy Olyphant in character&lt;/a&gt;—is out this week.&lt;/p&gt;&lt;br clear=&quot;both&quot; style=&quot;clear: both;&quot;/&gt;
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			<pubDate>Tue, 17 Jan 2012 20:41:18 GMT</pubDate>
			<guid isPermaLink="false">http://www.slate.com/articles/arts/culturebox/2012/01/elmore_leonard_s_raylan_justified_fan_fiction.html</guid>
			<dc:creator>Tara Ariano</dc:creator>
			<dc:date>2012-01-17T20:41:18Z</dc:date>
			<slate:dek>But FX’s 
&lt;em&gt;Justified&lt;/em&gt; understands Elmore Leonard’s greatest character better than Leonard does.</slate:dek>
			<slate:rubric>Culturebox</slate:rubric>
			<slate:section>Arts</slate:section>
			<slate:menuline>Elmore Leonard’s 
&lt;em&gt;Raylan&lt;/em&gt; Is 
&lt;em&gt;Justified&lt;/em&gt; Fan Fiction</slate:menuline>
			<slate:id>100120117011</slate:id>
			<media:group>
				<media:content url="http://www.slate.com/content/dam/slate/articles/arts/culturebox/2012/01/120117_CB_Justified-Givens.jpg.CROP.rectangle-large.jpg">
					<media:credit role="producer" scheme="urn:ebu">Prashant Gupta/FX.</media:credit>
					<media:description>Timothy Olyphant as Raylan Givens in 
&lt;em&gt;Justified&lt;/em&gt;</media:description>
					<media:thumbnail url="http://www.slate.com/content/dam/slate/articles/arts/culturebox/2012/01/120117_CB_Justified-Givens.jpg.CROP.thumbnail-small.jpg"/>
				</media:content>
			</media:group>
		</item>
		<item>
			<title>In Praise of the Golden Globes</title>
			<link>http://feeds.slate.com/click.phdo?i=2e10f0fe40b6788f5f1188f3325e17d6</link>
			<pheedo:origLink>http://www.slate.com/articles/arts/culturebox/2012/01/golden_globes_better_than_the_oscars.html</pheedo:origLink>
			<description>&lt;p&gt;Imagine a world in which most of the cosmic injustices perpetuated by the Academy of Motion Picture Arts and Sciences did not take place. I know it’s hard, with the wound of of &lt;em&gt;The King’s Speech&lt;/em&gt;’s victory over &lt;em&gt;&lt;a href="http://www.amazon.com/gp/product/B0034G4P7G/ref=as_li_ss_tl?ie=UTF8&amp;amp;tag=slatmaga-20&amp;amp;linkCode=as2&amp;amp;camp=1789&amp;amp;creative=390957&amp;amp;creativeASIN=B0034G4P7G"&gt;The Social Network&lt;/a&gt;&lt;/em&gt; so fresh, but imagine a world in which Fincher’s film had been victorious—a world where &lt;em&gt;Brokeback Mountain&lt;/em&gt; did not lose out to &lt;em&gt;Crash&lt;/em&gt; and &lt;em&gt;E.T.&lt;/em&gt; beat out &lt;em&gt;Gandhi&lt;/em&gt;, where &lt;em&gt;Chinatown&lt;/em&gt; won best film and Coppola won best director for &lt;em&gt;Apocalypse Now&lt;/em&gt;. Oh, and while we’re at it, an armful of trophies for &lt;em&gt;&lt;a href="http://www.amazon.com/gp/product/B000FIHNAC/ref=as_li_ss_tl?ie=UTF8&amp;amp;tag=slatmaga-20&amp;amp;linkCode=as2&amp;amp;camp=1789&amp;amp;creative=390957&amp;amp;creativeASIN=B000FIHNAC"&gt;Some Like Hot&lt;/a&gt;&lt;/em&gt; and a little something for Alfred Hitchcock.&lt;/p&gt;&lt;br clear=&quot;both&quot; style=&quot;clear: both;&quot;/&gt;
&lt;br clear=&quot;both&quot; style=&quot;clear: both;&quot;/&gt;
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			<pubDate>Fri, 13 Jan 2012 23:16:16 GMT</pubDate>
			<guid isPermaLink="false">http://www.slate.com/articles/arts/culturebox/2012/01/golden_globes_better_than_the_oscars.html</guid>
			<dc:creator>Tom Shone</dc:creator>
			<dc:date>2012-01-13T23:16:16Z</dc:date>
			<slate:dek>They’re more fun than the Oscars, and they pick better winners, too.</slate:dek>
			<slate:rubric>Culturebox</slate:rubric>
			<slate:section>Arts</slate:section>
			<slate:menuline>The Golden Globes Are More Fun Than the Oscars—and They Pick Better Winners, Too</slate:menuline>
			<slate:id>100120113021</slate:id>
			<media:group>
				<media:content url="http://www.slate.com/content/dam/slate/articles/news_and_politics/culturebox/2012/01/120113_CBOX_crash.jpg.CROP.rectangle-large.jpg">
					<media:credit role="producer" scheme="urn:ebu">© Lions Gate Films.</media:credit>
					<media:description>&lt;em&gt;Crash&lt;/em&gt; won an best picture Oscar in 2005, but was it really the right choice that year?</media:description>
					<media:thumbnail url="http://www.slate.com/content/dam/slate/articles/news_and_politics/culturebox/2012/01/120113_CBOX_crash.jpg.CROP.thumbnail-small.jpg"/>
				</media:content>
			</media:group>
		</item>
		<item>
			<title>The 
Other Film Critic at 
The New Yorker</title>
			<link>http://feeds.slate.com/click.phdo?i=98125cde25bb2dadb1bb59931f073172</link>
			<pheedo:origLink>http://www.slate.com/articles/arts/culturebox/2012/01/the_uneasy_partnership_of_pauline_kael_and_penelope_gilliatt.html</pheedo:origLink>
			<description>&lt;p&gt;In 1968, when &lt;em&gt;New Yorker &lt;/em&gt;editor William Shawn hired two writers to share the magazine’s film critic position, cinemaphiles wondered how this study in contrasts would play out in the magazine. Pauline Kael, then 49, boldly spoke her mind and shot down sacred cows with sprawling essays that attracted a small but ardent following. Penelope Gilliatt, by contrast, had risen by the age of 35 to the top of the film-writer food chain in her native England as the &lt;em&gt;Observer&lt;/em&gt;'s lead critic, while also reviewing theater, writing novels, and publishing short stories in a number of magazines—including &lt;em&gt;The&lt;/em&gt; &lt;em&gt;New Yorker&lt;/em&gt;.&lt;/p&gt;&lt;br clear=&quot;both&quot; style=&quot;clear: both;&quot;/&gt;
&lt;br clear=&quot;both&quot; style=&quot;clear: both;&quot;/&gt;
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&lt;a href=&quot;http://ads.pheedo.com/click.phdo?s=98125cde25bb2dadb1bb59931f073172&amp;p=1&quot;&gt;&lt;img alt=&quot;&quot; style=&quot;border: 0;&quot; border=&quot;0&quot; src=&quot;http://ads.pheedo.com/img.phdo?s=98125cde25bb2dadb1bb59931f073172&amp;p=1&quot;/&gt;&lt;/a&gt;
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			<pubDate>Fri, 13 Jan 2012 12:00:00 GMT</pubDate>
			<guid isPermaLink="false">http://www.slate.com/articles/arts/culturebox/2012/01/the_uneasy_partnership_of_pauline_kael_and_penelope_gilliatt.html</guid>
			<dc:creator>Sarah Weinman</dc:creator>
			<dc:date>2012-01-13T12:00:00Z</dc:date>
			<slate:dek>Penelope Gilliatt split reviewing duties in the 1970s with the famous Pauline Kael. Her career took a very different turn.</slate:dek>
			<slate:rubric>Culturebox</slate:rubric>
			<slate:section>Arts</slate:section>
			<slate:menuline>Penelope Gilliatt, the 
&lt;em&gt;New Yorker&lt;/em&gt; film critic whose career ended in a plagiarism scandal.</slate:menuline>
			<slate:id>100120113001</slate:id>
			<media:group>
				<media:content url="http://www.slate.com/content/dam/slate/articles/arts/culturebox/2012/01/120112_CB_Gilliatt1972.jpg.CROP.rectangle-large.jpg">
					<media:credit role="producer" scheme="urn:ebu">Photo courtesy the author, originally published by Coward, McCann &amp; Geohegan in 1979.</media:credit>
					<media:description>Penelope Gilliatt</media:description>
					<media:thumbnail url="http://www.slate.com/content/dam/slate/articles/arts/culturebox/2012/01/120112_CB_Gilliatt1972.jpg.CROP.thumbnail-small.jpg"/>
				</media:content>
			</media:group>
		</item>
		<item>
			<title>The Greatest Paper Map of the United States You’ll Ever See</title>
			<link>http://feeds.slate.com/click.phdo?i=f40604957d26ea03291aa8575a6baeae</link>
			<pheedo:origLink>http://www.slate.com/articles/arts/culturebox/2012/01/the_best_american_wall_map_david_imus_the_essential_geography_of_the_united_states_of_america_.html</pheedo:origLink>
			<description>&lt;p&gt;American mapmaking’s most prestigious honor is the “Best of Show” award at the annual competition of the Cartography and Geographic Information Society. The five most recent winners were all maps designed by large, well-known institutions: National Geographic (three times), the Central Intelligence Agency Cartography Center, and the U.S. Census Bureau. But earlier this year, the 38&lt;sup&gt;th&lt;/sup&gt; annual Best of Show award went to a map created by Imus Geographics—which is basically one dude named David Imus working in a farmhouse outside Eugene, Ore.&lt;/p&gt;&lt;br clear=&quot;both&quot; style=&quot;clear: both;&quot;/&gt;
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			<pubDate>Mon, 02 Jan 2012 12:38:15 GMT</pubDate>
			<guid isPermaLink="false">http://www.slate.com/articles/arts/culturebox/2012/01/the_best_american_wall_map_david_imus_the_essential_geography_of_the_united_states_of_america_.html</guid>
			<dc:creator>Seth Stevenson</dc:creator>
			<dc:date>2012-01-02T12:38:15Z</dc:date>
			<slate:dek>Made by one guy in Oregon.</slate:dek>
			<slate:rubric>Culturebox</slate:rubric>
			<slate:section>Arts</slate:section>
			<slate:menuline>How One Guy in Oregon Made the Best U.S. Map You’ll Ever See</slate:menuline>
			<slate:id>100120102002</slate:id>
			<media:group>
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					<media:description>Imus map of the United States.</media:description>
					<media:thumbnail url="http://www.slate.com/content/dam/slate/articles/arts/culturebox/2011/12/indiemaps/111220_CBOX_imusMap.jpg.CROP.thumbnail-small.jpg"/>
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